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ABSTRACT PAINTINGS and a SCULPTURE |
CHERYL DONEGAN
Born 1962, New Haven, Connecticut
Lives and Works in New York City
EDUCATION |
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| 1990 | M.F.A., Hunter College, New York, NY |
| 1984 | B.F.A., Painting, Rhode Island School of Design, Providence, RI |
SOLO EXHIBITIONS |
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| 2005 | “Old, Temporary” Oliver Kamm 5BE Gallery, New York, New York |
| 2003 | “Junk Space” Oliver Kamm 5BE Gallery, New York, New York |
| 2001 | White Room, White Columns, New York, New York |
| 1998 | Lotta Hammer, London |
| 1997 | “Scenes + Commercials: A Retrospective Development- the Movie”, Basilico Fine Arts, New York (catalog essay by Robert Mahoney) Baumgartner Gallery, Washington D.C. (project room) |
| 1996 | “Tent.” Basilico Fine Arts, New York, NY |
| 1994 | Nice Fine Arts, Nice France |
| Galerie Rizzo, Paris France | |
| AllGirls, Berlin, Germany | |
| Studio Guenzani, Milan, Italy | |
| 1993 | Elizabeth Koury Gallery, New York, NY |
SELECTED GROUP EXHIBITIONS
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| 2006 | "New York, New York: Fifty Years of Pop Art, Architecture, Photography, Film and Video”, Grimaldi Forum, Monaco, France |
| “Space Between the Spokes”, KS Art, New York, NY | |
| “Bricks In The Hood”, Oliver Kamm/5BE Gallery, New York, NY | |
| 2005 | “Withdrawl” Galerie Chez Valentin, Paris, France |
| 2004 | "Grotesque, Burlesque, Parody", curated by Caroline Bissiere and Jean-Pul Blanchet, Abbey Saint-Andre, Centre d’art Contemporain, Meymac, France |
| 2003 | “Artist’s Choice,” Museum of Modern Art, Ny, curated by Mona Hatoum |
| “Bright Lights, Big City,” David Zwirner Gallery, NY, curated by Maurizio Cattelan, (catalogue, “Charlie”), edition 3 | |
| 2002 | “Second Sight, Selections of Recent Work by alumni from the Second Deacade of the MFA Program at Hunter College 1991- 2001”, Hunter College/Times Square Gallery, New York, NY |
| 2001 | “Words and Things”, curated by Francis McKee, CCA, Glasgow, Scotland Video Installation in the New MuseumWindows,in conjunction with Paul McCarthy, organised by Laurie Halsey Brown, New Museum, NY |
| “Video Jam”, curated by Galen Joseph-Hunter and Michael Rush, Palm Beach Institute of Contemporary Art, Fl | |
| “Le Tribu del’ Arte”, Galleria Comunale d’ arte Moderna e Contemporanea, Rome, Italy | |
| Digital Video Wall, 1251 Avenue on the Americas, New York, NY | |
| 2000 | “Kin,” curated by Caoimhin Mac Goilla Lieth, Kerlin Gallery, Dublin, Ireland |
| 1999 | “Phantom Heckler,” curated by Padraig Timoney/ Egyptianradio in conjunction with the Liverpool Biennial, Tea Factory, Liverpool, England |
| “Head to Toe: Impressing the Body”,curated by Margaret Matthews-Berenson and Donna Harkavy University Gallery, University of Massachusetts, (catalog) | |
| 8th Biennale de l’Image en Mouvement, Centre St. Gervais, Geneva, Switzerland, (catalog essay by Fabrice Stroun) | |
| “Girlschool”, Brenau Unversity Galleries, Brenau University, Georgia, curated by Catherine Morris and Maureen Mahoney | |
| “Double Vision”, Nexus Center for Contemporary Art, Atlanta, Georgia, curated by Michael Pittari | |
| “Positioning”, Bard Center for Curatorial Studies, Bard Colleg, New York | |
| 1998 | “Educating Barbie”, Trans Hudson Gallery, New York |
| “Made in USA”, Galleria Il Capricorno, Venice, Italy | |
| “machtig gewaltig”, ACC Gallery, Weimar, Germany | |
| “I Love New York”, Ludwig Museum, Koln, Germany, (catalog) | |
| “Video Library”, David Zwirner Gallery, New York | |
| “Facts and Fiction”, curated by Valentina Valentini ,Progetto Giovani, Comune di Milano, Milan, Italy, (catalog) | |
| “Light on the Millenium”, Pusan Metropolitan Art Museum, Korea, (catalog) 1997 deo Divertimenti”, curated by Susan Hapgood, Camera Obscura, San Casiano dei Bagni, Itlay | |
| “Rooms With A View: Environments for Video”, Guggenheim Museum, Soho, New York, NY | |
| “Dissolution: Made in the USA”, curated by Margaret Murray, Laurent Dayle Gallery, London, England | |
| 7th Biennale de l’Image en Mouvement, Centre St. Gervais, Geneva, Switzerland, (catalog) | |
| “UKNY”, curtated by Steven Bode, Film and Video Umbrella, London, England (touring program) | |
| AWARDS | |
| 2001 | “Anonymous Was A Woman”, grant of $25,000 for women artists Grand Prix, 7th Biennale de l’Image en Mouvement, Centre St. Gervais, Geneva, Switzerland |
| BOOKS | |
| The Power of Feminist Art, Harry N. Abrams, Inc., 1994 | |
| New Art, edited by Roxana Marcoci, Diana Murphy, Eve Sinaiko, Harry N. Abrams, Inc., 1997 | |
| New Media in the Late 20th Century, Michael Rush, Thames and Hudson, 1999 | |
| SELECTED BIBLIOGRAPHY | |
| The New Yorker - Goings On About Town, 2006-05-15 | |
| Art in America - Cheryl Donegan at Oliver Kamm/5BE Gallery | |
| Extended bibliography available upon request. | |